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In this cubist composition, sins are represented through abstract figures broken into geometric shapes and distorted perspectives. The underlying themes of mercy and homosexuality are manifested through broken symmetry and interpenetrating bodies, symbolizing the complexity of human desires. The colors are contrasting and deep, creating a tension between dark and light tones, while the lines intersect, expressing the conflicts between soul and body aspirations. The Cubist style serves as a mirror of moral chaos and internal struggle, breaking down the basic forms of the human body.